Found on Pinterest...
Gorgeous bags from a clever lady named Evon. She buys suits from charity shops and thrift stores and upcycles them into incredible tote bags, leaving the pockets and zips intact!
It's bad that I pinned this onto my 'things to make' board... quite honestly, I don't think I could make a suit bag anywhere near as well as she can. I made a book bag out of a Laura Ashely skirt once, I still regret cutting it up... but I managed to incorporate the pocket to keep my drink seperate!
Evon even incorporates the lining and buttons, oh my... one of these bags is definitely on my 'want' list, even if it's never going to be fully realised on the other list...
How chappish are these? I can imagine carrying books in them, so stolidly reliable as they look. Of course the tweed and the recycled aspect make these a gorgeous addition to any Englishly inspired thrifty wardrobe.
Have you ever tried to make clothes into bags? Leave a comment!
Thursday, 22 November 2012
Wednesday, 14 November 2012
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Milton & Manor. |
The postman delivered my Milton & Manor catalogue today!
I can't remember how I found these lovely people, but I'm definitely going to be ordering from them soon.
I can't make my mind up between the Pheasant Fun lunch cooler or the Pink Duck lunchbox... no one will notice that the second one's for kids, right? Right?
I can't remember how I found these lovely people, but I'm definitely going to be ordering from them soon.
I can't make my mind up between the Pheasant Fun lunch cooler or the Pink Duck lunchbox... no one will notice that the second one's for kids, right? Right?
I would reccomend you take a look at all their beautiful products... but you might come away with a featherweight wallet!
Sunday, 11 November 2012
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Car Boot Finds. |
Denim Co. waxed country jacket, £4. Cutie dress, £1. Topshop horse shirt, £2. Jack Wills men's XS rugby shirt, £2. Winchester car boot sale.
Friday, 9 November 2012
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RIP Jesus. |
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| Photo by Druidswood.com |
Dad's planting an apple tree on top of him. I'm fully expecting Mary Magdalene to appear when we cut one of the fruit open in a few years - in fact, I'm counting on it.
RIP Jesus <3
Tuesday, 6 November 2012
Saturday, 27 October 2012
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Writing Society II - the Silencing. |
Silence can be awed, peaceful, stunned, strained, awkward or terrified.
Trouble is, they all sound the same.
At Writing Society this week I plucked up the kahunas to put the prologue of TM up on the big projector screen to 'workshop', i.e. have the member with the most impressive voice read it out and then everyone gives feedback on the writing.
Except, they didn't. At least, for a good fifteen seconds. The first reply asked if he could scroll back up because she'd popped to the loo and missed the beginning.
Fifteen seconds doesn't sound very long, but it's a hell of a long time when your heart's thumping like crazy in your chest and your honed words start swimming into childish crayon marks on the screen.
After a while, though, I did get soime very valuable feedback about what was clear and what was not, how a phonetic attempt at Lancastrian was read as Jamaican (...), and a helpful interjection as to which way someone has to slit their wrists to die (upwards, not across - who'da thunk?).
I redeemed the situation somewhat by tentaively volunteering further details of the book... which was met with wide eyes and a chorus of 'ohh!'s. This made sense, as the chapter I was workshopping was in fact the prologue, a piece by its very nature mysterious and foreshadowing. If someone had been under a rock for twenty-five years, emerged one day and decided to read Michael Crichton's prologue to Jurassic Park (which follows workers we never meet again, most of whom die, on an island somewhere at night, poking something in a cage that has claws) would he guess that the rest of the book told of rampaging dinosaurs, world-weary archaeologists and a plucky lawyer?
I hope not...
For now I'm going to keep chugging on with TM (when schoolwork and the Rose Prince are over) and try and write as best I can what the story's telling me (God that sounds so pretentious) to write. Because, as the lady who popped to the loo pointed out, she'd have to read a lot more and hope the story grounds itself - Saxons who move forward in time isn't exactly going to win a Pulitzer (my words, not hers).
I told my friend about the silence, and she said that sometimes the sound of silence after a reading is actually envy-seething. While I doubt her lovely sentiment, which I'm hugely grateful for, there's nothing to do but plough on regardless.
Trouble is, they all sound the same.
At Writing Society this week I plucked up the kahunas to put the prologue of TM up on the big projector screen to 'workshop', i.e. have the member with the most impressive voice read it out and then everyone gives feedback on the writing.
Except, they didn't. At least, for a good fifteen seconds. The first reply asked if he could scroll back up because she'd popped to the loo and missed the beginning.
Fifteen seconds doesn't sound very long, but it's a hell of a long time when your heart's thumping like crazy in your chest and your honed words start swimming into childish crayon marks on the screen.
After a while, though, I did get soime very valuable feedback about what was clear and what was not, how a phonetic attempt at Lancastrian was read as Jamaican (...), and a helpful interjection as to which way someone has to slit their wrists to die (upwards, not across - who'da thunk?).
I redeemed the situation somewhat by tentaively volunteering further details of the book... which was met with wide eyes and a chorus of 'ohh!'s. This made sense, as the chapter I was workshopping was in fact the prologue, a piece by its very nature mysterious and foreshadowing. If someone had been under a rock for twenty-five years, emerged one day and decided to read Michael Crichton's prologue to Jurassic Park (which follows workers we never meet again, most of whom die, on an island somewhere at night, poking something in a cage that has claws) would he guess that the rest of the book told of rampaging dinosaurs, world-weary archaeologists and a plucky lawyer?
I hope not...
For now I'm going to keep chugging on with TM (when schoolwork and the Rose Prince are over) and try and write as best I can what the story's telling me (God that sounds so pretentious) to write. Because, as the lady who popped to the loo pointed out, she'd have to read a lot more and hope the story grounds itself - Saxons who move forward in time isn't exactly going to win a Pulitzer (my words, not hers).
I told my friend about the silence, and she said that sometimes the sound of silence after a reading is actually envy-seething. While I doubt her lovely sentiment, which I'm hugely grateful for, there's nothing to do but plough on regardless.
Wednesday, 24 October 2012
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The White Whale. |
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| The Storm on the Sea of Galilee, Rembrandt |
Life has a way of throwing little challenges in your path, so obviously construed to push your most delicate buttons that you can only assume that God is an author. He is working from His celestial Beat Sheet, with Blake Snyder (blessed be he) at his right hand and Herman Melville whispering ironic plot twists in His ear.
However the old adage is true - whenever Blake (sorry, God) closes a door, He nudges open a fire escape. In every challenge there is an opportunity, not to merely survive but to triumph.
Writers are particularly well-equipped to deal with the plot twists of life. We experiment on characters, or at least I do, testing out all the possible outcomes of a situation without the restraints of logic, gun laws or physics, in order to evaluate the best way to face life's ups and downs. Writing is science. It's often been said that writers are crazy - I prefer this to the alternative."Life isn't about finding yourself. Life is about creating yourself." - George Bernard Shaw
I'm facing an ironic test at the weekend, something a supporting character might consider inconsequential, but one that equates to nothing less than my personal white whale. Mr S and I have also been discussing moving down to Portland some day (that's not the challenge; I wish it was!), so my head is filled with crashing waves and the sting of salt rain, more than usual... so excuse the sea metaphors, but I'm about to go overboard.
Hoist the mizzen mast, you, and brace yourself. Hold high and face the storm. Steel your resolve and set your eyes on that white whale, the bane of your journey, the albatross around your neck. Hold your breath now...
Into the Briny deep you go...
Tuesday, 23 October 2012
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Regardless. |
Ally's an up and coming singer/songwriter from Oswestry, and Regardless is a very catchy, laid-back, summery tune full of happy things. With my hectic schedule I was regrettably unable to do a second video for her, but when I've freed my mind of the Rose Prince, bog bodies, artefact quantifying and the intricacies of pagan burials, I'll hopefully have some time.
The video is pieced together from some meltingly beautiful public domain home movies of the Glasco family of Wichita, taken in the late 50's to early 60's. I've never seen footage I've been drawn in to so completely. Enough of my blathering - please, watch and enjoy!
Regardless by Alison Kemp, video by Bethany Dean. Footage courtesy of the Glasco Family.
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